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The problem is, as Mukhopadhyay tells Business Standard, that none of the three characters in this story can be accepted. As the director, he is the most affected. As the author of Shesher Kobita, he is the most enamoured of all. As the creator of Chokher Bali, he can feel the helplessness of characters like the protagonist and the older woman characters, who long for their youth. At the same time, he has to convince the audiences that the characters are indeed the characters they are expected to be.
Shesher Kobita did not start as a bestseller, with Rabindranath Tagores novels achieving record sales on the first day of publication. In fact, Tagore believed his Shesher Kobita should be seen by Indians, not tourists, and could never be translated into English. He wanted to keep his personal relationship to India alive, using his love story to make that point. But when Rabindranath Tagore died in 1941, the novel was accepted for English translation by William Radice in an edition that would sell in the tens of thousands.
During the 1920s, he courted the young dancer and actress Labanya to move her to Kolkata. He wrote to her from a cottage in the deep forest of Shoniram, where he had gone to work on his magnum opus Shesher Kobita, the last poem he would ever write, although the book has been described as his most personal and greatest work. It was a man who inspired love in women, but was in his last years the object of a scandalous love affair with his young student of 13 years old. He was the first modern Indian artist. 81555fee3f

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