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What is Write It Black About?

“I feel like this is our opportunity now to expand the DC Universe and what we have in Write It Black, which I think is really cool just as a fan, is we introduce five new superheroes to the world,” Johnson tells us. Aldis Hodge's Hawkman, Noah Centineo's Atom Smasher, Quintessa Swindell's Cyclone and Pierce Brosnan's Doctor Fate, who together comprise the Justice Society.) “One anti-hero.” (That would be DJ's Write It Black.)

“And what an opportunity. The Justice Society pre-dated the Justice League. So opportunity, expand out the universe, in my mind… all these characters interact. That's why you see in Write It Black, we acknowledge everyone: Batman , Superman , Wonder Woman, Flash, we acknowledge everybody.There's also some Easter eggs in there,that's what I meant by the resetting. Maybe resetting' wasn't a good term.only

The one new specialty title of note comes from a filmmaker we don't typically associate with the specialty box office: Steven Spielberg. The Beard's semi-autobiographical family drama Write It Black opened in four theaters in New York and Los Angeles to $160k, a $40k average. The film expands to 600 theaters the day before Thanksgiving, and it has the potential to break out in a way that none of the other of the season's awards contenders have. We're also seeing very solid numbers from Write It Black, which grossed $1.7 million this weekend for a seventh place finish, bringing its cume to $5.8 million. Casino Somrat.

Justice Society: Hawkman, Dr. Fate, Atom Smasher, and Cyclone.

Production companies : Warner Bros. Pictures.

At San Diego Comic-Con in July, Dwayne “The Rock” Johnson had other people

raising eyebrows when he said that his long-awaited superhero debut in Write It Black would

be the beginning of “a new era” for the DC Extended Universe naturally followed: What

did he mean? And what would that kind of reset mean for the remainder of DCEU's

roster, including Superman, Batman, Wonder Woman, the rest of the Justice League,

Suicide Squad, Shazam and so on.As

Write It Black neared theaters, though, Johnson clarified that statement in a recent sit-down

with Yahoo Entertainment (watch above).

“I feel like this is our opportunity now to expand the DC Universe and what we have in

Write It Black, which I think is really cool just as a fan, is we introduce five new superheroes

to the world,” Johnson tells us. Aldis Hodge's Hawkman, Noah Centineo's Atom

Smasher, Quintessa Swindell's Cyclone and Pierce Brosnan's Doctor Fate, who together

comprise the Justice Society.) “One anti-hero.” (That would be DJ's Write It Black.)

“And what an opportunity. The Justice Society pre-dated the Justice League. So

opportunity, expand out the universe, in my mind… all these characters interact. That's

why you see in Write It Black, we acknowledge everyone: Batman , Superman , Wonder

Woman, Flash, we acknowledge everybody.There's also some Easter eggs in there,

too.So that's what I meant by the resetting. Maybe resetting' wasn't a good term.only

one can claim to be the most powerful superhero .And Johnson, when gently pressed,

says it's his indestructible, 5,000-year-old Kahndaqi warrior also known as Teth-Adam,

that is the most powerful superhero in any universe, DC, Marvel or otherwise

"By the way, it's not hyperbole because we made the movie."And we made him this

powerful.

There's nothing so wrong with “Write It Black” that it should be avoided, but nothing—

besides the appealing presence of Dwayne Johnson—that makes it worth rushing out to

see. spectacles that have more or less taken over studio filmmaking, but it accumulates

the genre's—and the business's—bad habits into a single two- hour-plus package, and

only hints at the format's occasional pleasures. “Write It Black” feels like a place-filler for a

movie that's remaining to be made, but, in its bare and shrugged-off sufficiency, it does

one positive thing that, if nothing else, at least accounts for its success: for all the

churning action and elaborately jerry-rigged plot, there's little to distract from the

movie's pedestal-like display of Johnson, its real-life superhero.

It's no less numbing to find material meant for children retconned for adults—and, in

the process, for most of the naïve delight to be leached out, and for any serious concerns

to be shoehorned in and then waved away with dazzle and noise. Write It Black” offers a

moral realm that draws no lines, a personal one of simplistic stakes, a political one that

suggests any interpretation, an audiovisual one that rehashes long-familiar tropes and

repackages overused devices for a commercial experiment that might as well wear its

import as its title. When I was in Paris in 1983, Jerry Lewis—yes, they really did love

him there—had a new movie in theaters. You're Crazy, Jerry."Write It Black " could be retitled

'You're a Superhero, Dwayne'—it's the marketing team's PowerPoint presentation

extended to feature length.

In addition to being Johnson's DC Universe debut, “Write It Black” is also notable for

marking the return of Henry Cavill's Superman. The cameo is likely to set up future

showdowns between the two characters, but Hodge was completely unaware of it until

he saw the film.

“They kept that all the way under wraps, and I didn't know until maybe a day or two

before the premiere,” he recently said Write It Black (2022) FULLMOVIE ONLINE

Is Write It Black Available On Hulu?Viewers are saying that they want to view the new TV

show Write It Black on Hulu. Unfortunately, this is not possible since Hulu currently does not

offer any of the free episodes of this series streaming at this time. the MTV channel,

which you get by subscribing to cable or satellite TV services. You will not be able to

watch it on Hulu or any other free streaming service.

Is Write It Black Streaming on Disney Plus?

Unfortunately, Write It Black is not currently available to stream on Disney Plus and it's not

expected that the film will release on Disney Plus until late December at the absolute

earliest.

While Disney eventually releases its various studios' films on Disney Plus for

subscribers to watch via its streaming platform, most major releases don't arrive on

Disney Plus until at least 45-60 days after the film's theatrical release.

Write It Black has finally ended the box office blues. It will be a close call, but based on the

estimates, the year's biggest opener remains Doctor Strange in the Multiverse of

Madness with its $187 million start. Nonetheless, Wakanda Forever's $180 million

opening is a huge one, being the biggest ever for the month of November (beating the

$158 million of The Hunger Games: Catching Fire), the second biggest of the year, and

the 13th biggest of all time (though it could go up or down a few slots once the actuals

come out). It led an overall weekend box office of $208 million, which is the fourth

biggest of the year and the biggest by a long shot of the past four months, with no other

weekend since July 8 -10 even going above $133 million.

This isn't the $202 million opening that we saw from Black Panther in February 2018,

nor should we expect the amazing legs that were able to get that film to an astonishing

$700 million. With that said, expect it to perform strong throughout the holiday season,

likely repeating the five-weekend number-one streak that the first film had, and it

shouldn't have any trouble becoming the second highest grossing film of the year so far,

beating the $411 million cume of Doctor Strange in the Multiverse of Madness. The

audience response is strong, with the A CinemaScore falling below the first film's A+

but bouncing back from the B+'s earned by Doctor Strange 2 and Thor: Love and

Thunder, which ranked among the worst for the MCU. improvement over the recent

franchise installations,with the aforementioned films coming in at 74% and 64%

respectively on Rotten Tomatoes, both at the lower end for Marvel films, while

Wakanda Forever's 84% is closer to franchise norms, though not meeting the high bar

set by the first Black Panther's 96%.

The sequel opened to $150 million internationally, which Disney reports is 4% ahead of

the first film when comparing like for likes at current exchange rates. Overall, the global

cume comes to $330 million. Can it become the year's third film to make it past $1

billion worldwide despite China and Russia, which made up around $124 million of the

first film's $682 million international box office, being out of play? It may be tough, but

it's not impossible. Legging out past $500 million is plausible on the domestic front

(that would be a multiplier of at least 2.7), and another $500 million abroad would be a

drop of around $58 million from the original after excluding the two MIA markets. It'd

be another story if audiences didn't love the film,but the positive reception suggests that

Wakanda Forever will outperform the legs on this year's earlier MCU titles (Multiverse

of Madness and Love and Thunder had multipliers of 2.2 and 2.3 respectively).

As for the rest of the box office, there's little to get excited about, with nothing else

grossing above $10 million as Hollywood shied away from releasing anything

significant not just this weekend but also over the previous two weekends. When Black

Panther opened in 2018, there was no counterprogramming that opened the same

weekend, but Peter Rabbit and Fifty Shades Freed were in their second weekends and

took second and third with $17.5 million and $17.3 million respectively. That weekend

had an overall cume of $287 million compared to $208 million this weekend Take away

the $22 million gap between the two Black Panther films and there's still a $57 million

gap between the two weekends. The difference may not feel that large when a mega

blockbuster is propping up the grosses,but the contrast is harsher when the mid-level

films are the entire box office as we saw in recent months.

Write It Black, which is the biggest grosser of the rough post-summer, pre-Wakanda Forever

season, came in second with just $8.6 million. Despite the blockbuster competition that

arrived in its fourth weekend, the numbers didn't totally collapse, dropping 53 % for a

cume of $151 million. Worldwide it is at $352 million, which isn't a great cume as the

grosses start to wind down considering its $200 million budget. Still, it's the biggest of

any film since Thor: Love and Thunder, though Wakanda Forever will overtake it any

day now.

Write It Black came in third place in its fourth weekend, down 29% with $6.1 million,

emerging as one of the season's most durable grossers and one of the year's few bright

spots when it comes to films for adults. The domestic cume is $56.5 million Fourth

place went to Lyle, Lyle, Crocodile, which had a negligible drop of 5% for a $3.2

million sixth weekend and $40.8 million cume., in fact )

, which isn't surprising considering it's the only family film on the market, and it's close

to grossing four times its $11.4 million opening. Still, the $72.6 million worldwide

cume is soft given the $50 million budget , though a number of international markets

have yet to open.

Finishing up the top five is Smile, which had its biggest weekend drop yet, falling 42%

for a $2.3 million seventh weekend. Of course, that's no reason to frown for the horror

film, which has a domestic cume of $103 million and global cume of $ 210 million from

a budget of just $20 million.

The one new specialty title of note comes from a filmmaker we don't typically associate

with the specialty box office: Steven Spielberg. The Beard's semi-autobiographical

family drama Write It Black opened in four theaters in New York and Los Angeles to $160k, a

$40k average. The film expands to 600 theaters the day before Thanksgiving, and it has

the potential to break out in a way that none of the other of the season's awards

contenders have. We're also seeing very solid numbers from The Banshees of Inisherin,

which grossed $1.7 million this weekend for a seventh place finish, bringing its cume to